"I loved Uncle Barry. He was my favorite human in the world.
(incidentally, J’onn’s my favorite alien, Arthur’s my favorite fish, Diana’s my favorite…clay…person?)
I could never keep up with Barry when he went full-speed. He always encouraged me, believed in me, taught me his tricks. But we both knew he’d always be faster.
When he died, it took me less than a nanosecond to realize that it was all on me. They were all gonna look to me and say “Ok. Your turn. Run fast, don’t screw up.”
I put on his suit, pulled on his boots…and proceeded to screw up in ways I never thought possible. I sucked royally. But I kept running. Got better. Then betterer. Guess I’m pretty good at being a hero now. But I’ll never be him.
I’m the fastest man alive. Barry’s been dead for years. And I STILL can’t keep up with him."
— Flash (If I Wrote Flash)

(Source: natecosboom)

I’m pretty sure this is what Marvel and DC use to plot some of their comics.

Especially their summer “event” comics.

Chris Eckart pieced together a wonderfully horrifying look back at DC Comics’s 2007 series, Countdown to Final Crisis (a.k.a. Countdown)

Countdown may have been a lightning-in-a-bottle, textbook demonstration of what you get when the entire publishing line of a company is hashed out by people who have never been hired to be creators on a dry erase board, then handed down piecemeal to people actually hired to be creators.

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